All content by Luke McClinton
‘Imaginary’ proves the importance of logic in world-building
Luke McClinton, Staff Writer
• March 24, 2024
Women directors of the 21st century: Overlooked pasts and shining futures
Luke McClinton, Staff Writer
• March 17, 2024
‘Dune: Part Two’: Power over spice is strong, but power over belief is stronger
Luke McClinton, Staff Writer
• March 3, 2024
‘Einstein and the Bomb’: A potent look at nuclear warfare through the eyes of a gentle genius
Luke McClinton, Staff Writer
• February 21, 2024
Who left Alabama baseball after 2023, and the players Rob Vaughn’s staff reeled in
Luke McClinton, Staff Writer
• February 15, 2024
‘Orion and the Dark’ beautifully showcases the power of storytelling
Luke McClinton, Staff Writer
• February 14, 2024
‘Society of the Snow’ is a caring look at life, death, love and the significance of each
Luke McClinton, Staff Writer
• January 28, 2024
Nick Saban leaves behind an inestimable economic legacy
Luke McClinton, Staff Writer
• January 18, 2024
Alabama men’s basketball is ready to pounce
Luke McClinton, Staff Writer
• January 17, 2024
UA art professors: Educators by day, astounding creators by night
Luke McClinton, Staff Writer
• January 17, 2024
Bama Big-League Ballers, NBA Week 6: Brandon Miller is finding his rhythm, and others serve as stars in their roles
Luke McClinton, Staff Writer
• December 3, 2023
The UA ECo Free Market clothing swap aims to mitigate the effects fast fashion has on the environment
Luke McClinton, Staff Writer
• November 29, 2023
Alabama football’s return to the realm of mortality, and why it has made fans more passionate than ever before
Luke McClinton, Staff Writer
• November 16, 2023
Bama Big-League Ballers, NBA Week 3: Brandon Miller is in a shooting slump
Luke McClinton, Staff Writer
• November 12, 2023
‘Loki’ Season 2 finale: Glorious purpose, beautiful closure
Luke McClinton, Staff Writer
• November 12, 2023
Culture Pick: Barring automatonophobia, ‘Five Nights at Freddy’s’ will leave viewers mostly indifferent
Luke McClinton, Staff Writer
• November 8, 2023
‘Loki’ Season 2, Episode 5: There’s something oddly familiar here
Luke McClinton, Staff Writer
• November 5, 2023
Dreamland’s rich history of unifying people through food
Luke McClinton and Taylor Paton
• November 1, 2023
‘Loki’ Season 2, Episode 4: Entering the chaos stretch
Luke McClinton, Staff Writer
• October 29, 2023
Alabama in the NBA: The best, least best and everyone in between
Luke McClinton, Staff Writer
• October 23, 2023
‘Loki’ Season 2, Episode 3: Vibrant aesthetics, continued madness and the return of a daunting face
Luke McClinton, Staff Writer
• October 22, 2023
Crimson Car Club is forming lasting relationships through a love for automobiles
Luke McClinton, Staff Writer
• October 18, 2023
‘Loki’ Season 2, episode two: The Loki-Mobius charm is as good as ever
Luke McClinton, Staff Writer
• October 15, 2023
Jermaine Burton and his quest to be a leader
Luke McClinton, Staff Writer
• October 12, 2023
‘Loki’ Season 2 premiere: Symbolism, high stakes and grappling with the consequences of Season 1
Luke McClinton, Staff Writer
• October 8, 2023
Culture Pick: ‘A Haunting in Venice’ asks what’s real
Luke McClinton, ,Staff Writer
• October 4, 2023
‘Past Lives’ is a poignant take on destiny
Luke McClinton, Staff Writer
• September 27, 2023
Culture Pick: ‘The Equalizer 3’ is enjoyable and irritating
Luke McClinton, Staff Writer
• September 13, 2023
A comprehensive breakdown of former Alabama stars in the NFL
Luke McClinton, Staff Reporter
• September 7, 2023
‘Talk to Me’ falls short of the A24 horror standard
Luke McClinton, Staff Writer
• August 27, 2023
2023 Alabama football preview: A game-by-game breakdown
Luke McClinton, Culture Staff Writer
• August 23, 2023
Top keys to adjusting to college life
Luke McClinton, Staff Writer
• August 23, 2023
‘Oppenheimer’ and the divide between freedom of thought and diplomatic tunnel vision
Luke McClinton, Contributing Writer
• August 2, 2023
Culture Pick: In ‘Barbie,’ blockbuster glitz meets powerful social commentary
Luke McClinton, Contributing Writer
• July 26, 2023
Culture Pick: ‘Insidious: The Red Door’: When horror isn’t scary
Luke McClinton, Contributing Writer
• July 19, 2023
Culture Pick: ‘Indiana Jones and the Dial of Destiny’: Never great, but never boring
Luke McClinton, Contributing Writer
• July 12, 2023
Culture Pick | ‘Elemental’ is an effective meditation on culture and immigration
Luke McClinton, Contributing Writer
• July 5, 2023
Culture Pick: ‘The Flash’ and the oversaturation of the Multiverse genre
Luke McClinton, Contributing Writer
• June 28, 2023
Culture Pick: ‘Across the Spider-Verse’: Great, but not quite revolutionary
Luke McClinton, Contributing Writer
• June 14, 2023
Culture Pick: “John Wick: Chapter 4” is a historically great action movie
Luke McClinton, Contributing Writer
• April 5, 2023
Culture Pick: “Shazam: Fury of the Gods” represents everything wrong with comic book movie franchises
Luke McClinton, Contributing Writer
• March 26, 2023
Culture Pick: “Cocaine Bear” goes about as you’d expect it to
Luke McClinton, Contributing Writer
• March 5, 2023
Culture Pick: “Ant-Man and the Wasp: Quantumania”: Zany, universe-expanding and visually enchanting
Luke McClinton, Contributing Writer
• February 19, 2023
A pre-“Quantumania” ranking of the Marvel Cinematic Universe
Luke McClinton, Contributing Writer
• February 19, 2023
Culture Pick: M3GAN is bonkers, but that might not be a good thing
Luke McClinton, Contributing Writer
• January 29, 2023
Culture Pick: “The Kings of the World” and the brutal reality of poverty
Luke McClinton, Contributing Writer
• January 18, 2023
Culture Pick: “Black Panther: Wakanda Forever” and the gaping hole left by Chadwick Boseman
Luke McClinton, Contributing Writer
• November 30, 2022
Culture Pick: “Halloween Ends” is a fresh, underrated finale
Luke McClinton, Contributing Writer
• October 30, 2022
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